Cauleen Smith Movies

Sine at the Canyon Sine at the Sea began as a video designed to be background eye-candy at an outdoor performance event and evolved into a protest...

Mythical forms embodied in puppetry and cinematic spectacle.

"Remote Viewing" is a story in which a man related that, as a boy, he had watched the whites in his town attempt to obliterate every trace of the...

H-E-L-L-O translates the famous musical sequence from Stephen Spielberg's Close Encounters of the Third Kind into a greeting for sites around New...

The countdown audio footage from the Apollo 11 launch date is heard over a flamed-out, iridescent landscape. Appropriating and reframing the...

Second of three films relating to American conceptual Land Art of the 1970's and American histories and traumas.

Images and poems responding to the photographs of Malik Sidié. A collaboration with poet, A. Van Jordan. Loops designed for install.

The syntax of cinema collides with string theory and the unchanging sameness of movies, romance, horror, and landscape.

Three monologues adapted from the groundbreaking book, Black Women in White America, edited by Gerda Lerner.

A time-lapse documentation of Lee filter film gels installed into the windows of the Dusable Museum of African American History's Roundhouse designed...

Sun Ra’s anthem Space Is the Place performed by The Rich South High School Marching Band in Chinatown Square, Chicago. Cauleen Smith organised...

Science Fiction rumination of post-Katrina New Orleans: space, place and post traumatic stress. Executive produced by Paul Chan and Creativetime.

Entitled, a correspondence with historical still life painters. Super-8 transferred to digital video “Smith has developed a lyrical visual...

A lyrical visual poem on movement, time, and wandering.