Carolee Schneemann Movies

Henry Hills’s Emma’s Dilemma reinvents the portrait for the age of digital reproduction. In a set of tour-de-force probes into the images...

This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.

Masculinity/Femininity is an experimental film project interrogating normative notions of gender, sexuality and performance. Shot primarily on Super...

Writes Schneemann: "The 'Americana I Ching Apple Pie' recipe was first enacted in my Belsize, London kitchen in 1972. Unfortunately, the original...

A performance in which Schneemann personifies an irrepressible vulva, which engages two animal hand puppets in a clamorous deconstruction of sexual...

Performance by Robert Morris and Carolee Schneemann.

For this performative/lecture, Schneemann invited Teija Lammi, museum librarian at the Porin Taidemuseo in Pori, Finland, to be an improvisatory...

Body Collage is a visceral "movement-event" from 1967, in which Schneemann paints her body with wallpaper paste and molasses, and then runs, leaps,...

The dissolution of a relationship unravels through visual and aural equivalences. Schneemann splits and recomposes actions of the lovers in a...

Schneemann’s cat, Kitch, who was featured in works such as Fuses, was a major figure in Schneemann’s work for almost twenty years. The...

Home movies shot on Super 8mm by W+B Hein over 10 years.

Art Is Reactionary is the 10-minute video recording of a performance by Carolee Schneemann dating from 1987. Carolee Schneemann shares the stage...

Writes Schneemann: "Souvenir of Lebanon follows a long video pan through destroyed Palestinian and Lebanese villages. In 1982-83, Israeli ceaseless...

Pinea Silva: Lost Meanings of the Christmas Tree, a performance-lecture by Carolee Schneemann, was first presented on December 15, 2011 as part of...

Ask the Goddess is a provocative performance in which Schneemann interacts with the audience by responding to sexual and psychic dilemmas read from...

RED NEWS (1962-67) considers the interplay between media, entertainment, and violence. "I also had Red News simultaneously, that magical little...

The Super 8mm film “Muñecos” (1972) — shot by the artist, Leopoldo Maler and Carolee Schneemann — combines recordings...

Eight performers, suspended from ropes, move to a score of randomized encounter. Schneemann writes that this "kinetic theatre" work was "conceived as...

In her earliest film, which has been newly transferred to video, Schneemann presents an abstracted portrait of the American composer Carl Ruggles,...

In all Schneemann's montages, films and performances, there is an insistent repetition of disparate motifs — within each work and from work to...