Saul Levine Movies

Founded under water ... all at sea ... made at land.

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left –...

A study of my parents in grey and white. An evening film. My mother lights the sabbath candles, cooks, crochets, sleeps, talks to father reading the...

A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit. Both Mark and I were surprised when not only...

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

Saul Levine spent six years (from 1967-1973) cutting up and re-editing 8mm prints of two Charlie Chaplin shorts, IN THE PARK and EASY STREET, into a...

On 9/11/2005, Mark Lapore took his own life. I first met Mark at SUNY Binghamton in the fall of 1973, when I took my film production class. Over the...

A brief documentary focused on the history of experimental Super 8mm filmmaking. Prominent figures of the "s8" boom of the 1970s discuss their work...

Levine's grammar is set up to join media images without hiding the seams; media images of race and sex, love and violence, work and play, and...

2000 film by Saul Levine

Every fall a store called NOMAD in Cambridge, on Mass Av,e puts up a window display of Mexican Day of the Dead pieces. My birthday is November, 3, so...

Shot on a farm in Friendsville Penn. where Saul lived in a trailer with Dan Barnett; shot from the same spot over the course of several Fall weeks, a...

Made in Binghamton in 1976 - a warped record constructed out of visits to the zoo, relatives and various locations. Appearances by obsessive birds,...

S8mm, b&w/si, (18 fps)

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

RAPS AND CHANTS is also without the typical cataract of cuts. The first part is a man's monologue about a grueling LSD adventure (even the image is a...