Saul Levine Movies

A midsummer daydream. S8mm, color/si, (18fps)

S8mm, b&w/si, (18 fps)

"A journal of change in pattern of living and seeing as determined by an often misfunctioning but faithful camera."-M.K

A portrait of Amanda Katz (Posner) spinning, weaving and talking. A film about story telling rather than one that tells a story. The VHS copy of this...

NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about'...

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left –...

At twilight in Binghamton, two filmmakers exchange portraits.

I am just a rambling guy - here today, gone tomorrow. Sitting in the back of Dan's french car. French woman going to NYC for the first time....

A portrait: of Saul Levine, filmmaker and one-time Italian Ice Vendor./of the film surface & depth/so by the choice of image./ of the inside &...

John Broderick recounts a bad LSD trip

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

Super 8mm / color / silent / 18fps

A conversation with Pelle Lowe

2000 film by Saul Levine

The first black and white LIGHT LICK. S8mm, b&w/si, (18fps)

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

A fim by Saul Levine

Camera: Sylvia Gruner & Pelle Lowe