Dean Kavanagh Movies

The first film in a two-part study of daily routines.

A found-footage film that seeks to sever all narrative ties.

The troubling hallucinations of a deranged mind.

A journey into the dark visions of a small coastal town. Memories of the inhabitants or memories created by the place itself.

A compendium of home movies sewn into a fragmented nocturnal narrative on travel

‘My first movie’.

The last day of the week is the first day of the week.

Three witnesses to the invasion. Three accounts. Are they observing the same thing? Were there any warning signs? And, after all they’ve seen...

The second film in a two-part study of daily routines.

A man investigates a memory of places and people. The evidence drifts deeper and deeper into an unforgivable jungle; he might not be the true owner...

A man cruises the streets of his old neighbourhood at nightfall.

Onlookers at the canal.

Originally conceived as a road movie, Sound from the Valley Floor is at once a film diary and a perverse comedy permeated with a dream logic.

A young man films his family to better understand them and as a result is destroyed by them.

Stertched images along stretched time.

A contract killer reluctantly accepts a last minute assignment in the run-up to Christmas. The routine job takes an unexpected turn, and he finds...

The discovery of an ancient artefact. The night extends beyond the grip of reality. The inhabitants of a small community perish.

A relationship unravels during a storm. Poor Edward is considered as part of the official canon of Remodernist Film.