Dirk de Bruyn Movies

An intriguing exploration of the changing impact of speed on our ability to view an image and construct meaning and narrative.

Feyers is Dirk de Bruyn's most complicated work employing the many techniques he has experimented with over the years. Appropriately subtitled 'a...

"'Rote Movie' is part of a series of works examining aspects of the traumatic experience. It is an examination of decay and forgetting, where what...

"With 223 I used Photographs from my past as a base. It gives the eyes something to come back to from the faster abstract shapes. The Pos/Neg...

This film re-animates stereoscopic images of Melbourne from the 1920s. Technically the film makes a statement about how each new iteration of moving...

"...No photographed images. All handmade. It's all these squares, lines. The main techniques were bleaching and dyeing and sticking letraset material...

Groundbreaking experimental/avant garde travel diary essay film. A reflection on communication.

East Meets West is an abstract flickering animation that sits precariously between the digital and the analog. The film highlights the luminous...

A time-lapse document of a farmhouse in the Netherlands mapping the changing seasons, the light and shadows. Made with an interval-meter fashioned...

An experimental animation that draws the micro and macro into stark relation, "White Bat" occupies a no-zone that separates you from your own body....

Silent, but often paired with Burt & Chabade's Four Possible Soundtracks for Dirk De Bruyn's "Schist" (1999).

A celebration of the offal of cinema, old films, old soundtracks, drawing directly on the film, using stamps and food-dyes to create discarded...

de Bruyn uses animation, optical illusions, time lapse, solarization, hand tinting, flash frames, refilming and flicker effects, accompanied by a...

When the British flag was first planted on Australian soil with the words "there is nothing here" the colonisers set up a tradition of denial. This...

We are told at the beginning that “this film is dedicated to Len Lye” and indeed the camera-less techniques used here – various...

WAP stands for White Australia Policy, a racist policy which limited migration into Australia into the nineteen fifties. This policy can be read as a...

De Bruyn combines his particular filmic effect/interest (rhythm) with the tangible reality around him. In Homecomings there is an incredible sense of...

Dirk De Bruyn’s eleven-minute RemmbrME (2007) is a visually engaging film that documents in a painterly fashion the numerous gaps and...

The film tries to 'destroy time' by the cyclical reworking of a short period of time. Gradually the image becomes less discernible and the flashing...

Dirk de Bruyn explores the history of Australian storytelling; the unknown, the forgotten and the lies we tell ourselves.