Teo Hernández Movies

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

Fugitive images of the northwestern city of France.

Premonition of urban chaos from the images, a counter-reading of the picturesque and a rabidly cosmopolitan vision of the city.

Experimental short by Teo Hernández.

Magical Super-8 (shown on 16mm) single frame portrait of the Notre Dame cathedral featuring luminous light and a dense score incorporating players...

"I think of Fragments of the Angel and the sequence with Françoise and Ermina in the countryside, and I ask myself how to "justify" it...

One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the...

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body....

Portrait of the contemporary dance dancer and choreographer, Montet Bernardo.

"In 1968, during a stay in London, I could finally achieved my first film: 14, BINA GARDEN. A camera wanders into the decor of a room ..."