Dirt

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of...

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech...

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of...

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals...

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access...

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit...

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the...

A series of shots from six 1970s and 1980s horror films are slowed down to near-still moving images. First feature-length piece in the video art...

Paul Clipson unexpectedly exchanged his court sound engineer, Jefre Cantu-Ledesm, for a promising artist named Kadet Kuhne, who presents herself in...

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

Part one of the two part abstract video art-piece, with music composed by Philip Glass and performed by the Kronos String Quartet.