Watch silent reversal FMovies. The film does not end, is never rewound, and each frame is seen twice in a single viewing: a palindrome illustrating the Chicago "elevated," the backbone of the city, shuttling its oblivious passengers to death. "Hypnotic study in motion." – Nora Sayre, The New York Times Note: Shown head to tail, then tail to head. Preserved by the Academy Film Archive in 2014.
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A bitter young man sets out to get back at the gangsters who murdered his father.
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A renegade police captain sets out to catch a sadistic mob boss. Preserved by the Academy Film Archive in 2016.
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The Big Show, the only feature-length motion picture produced by the Miller Brothers, is a behind-the-scenes melodrama set within their show. The...
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"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made full use of rear-projection rephotography,...
61970HD
"Treefall" was originally made for a dance performance at the Vancouver Art Gallery, April, 1970. Structured in the form of two loops of...
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With an irresistible humour, Rimmer speculates in The Dance on the nature of the film loop. We see a (1920s) couple whilring around a dance floor at...
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Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that...
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“[T]he sense of moving forward [in space or time] alternates with a sense of expansion and contraction, as the finished cycle [of movement]...
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This is a hand-painted step-printed film which begins with slow dissolves of what appear to be decaying leaves, crumpled browns and golds and oranges...
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The basic image derives from a shot of women in (Edwardian era) dresses standing along the edge of the ocean. Within this eight-second loop, [Rimmer]...
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A TV movie sequence is repeated in slow motion: the sound gradually gets out of sync with the image. The point moves on the soundtrack while the...
61973HD
Variously relaxed, apprehensive, or relieved, the fractured gestures of a woman and a baby are played backward and forward, frame by frame, like a...